TCF 311 Critical Studies in Television

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Course Objectives:

The objective of this course is to introduce the student to television critical studies, or what is commonly called, within academics, "television studies" (a parallel with film studies).

We will seek, first of all, to understand television as a unique meaning-producing medium -- dissecting television's narrative and non-narrative structures and its uses of mise-en-scene, cinematography / videography, editing, and sound. Second, we will confront the critical methods that have been applied to the medium over the past 20 years: semiotics, genre study, ideological criticism, cultural studies, and so on.

Our goal is to become more intelligent, alert, critical viewers of television.

TCF 311's learning outcomes:

Students will learn to understand the shaping of television history and the impact of diverse groups on that history; to understand professional ethical principles and work ethically in pursuit of truth, accuracy, fairness and diversity; to write correctly and clearly (evaluating their work and that of others for accuracy and fairness, appropriate style, and grammatical correctness); to evaluate concepts and apply theories in the use and presentation of images and narratives; and to think critically, creatively, and independently.

Instructor:
Jeremy Butler
Office: 486B Phifer
Office hours: TT 3:15-4:45, & by appt. 348-6350
Assessment:
Your progress will be assessed through:
  • Four open-book, open-note exams, which will mostly consist of analytical essays of TV programs and be based on the principles in Television. The fourth exam will be held during the Final Exam period and will focus on Channels of Discourse. Worth 25 points each.
  • Extra Credit Option: An extra credit option, worth 3 points and due 5 December, is explained here.

    Please note: This is a seminar class which depends heavily upon students having done the readings and being prepared to discuss them in class. If the majority of the class fails to do a reading assignment then an in-class essay may be assigned and factored into the grading as part of the exam scores.
Screenings & Credits:

Numerous TV programs will be shown on DVD in class. There will be no other screenings of the programs, but local video stores do carry a few of the titles, and two or three of them are available in the audio-visual section of the Gorgas Library.

Credits are available from the Internet Movie Database. Follow the links below to find credits.

Grading

Grades will be posted online.

Grading scale:

A+ 97-100   C+ 77-79    F  59 and below
A  93-96    C  73-76
A- 90-92    C- 70-72
B+ 87-89    D+ 67-69
B  83-86    D  63-66
B- 80-82    D- 60-62
Course Calendar (subject to changes announced in class):

Date

Topic/Screening

Readings

8/21 Introduction to the Course
The Andy Griffith Show (1966) Click for illustrations Click for illustrations
 
8/26, 28 TV Structure, Narrative Structure Screenpedia
The Cosby Show (1984)Click for illustrations TV.com link
Friends (1999) Click for illustrations
Butler, chs. 1, 2;
9/2 Characters, Actors, StarsClick for illustrations Screenpedia Butler, ch. 3;
9/4, 9 Beyond and Beside Narrative Screenpedia
Cops (1989-), CBS/NBC news Click for illustrations, The Daily Show (1996-)Click for illustrations
Lobster Wars (2007), Two-a-Days: Hoover High (2006)
Butler, ch. 4;
recommended: Salon on Reality TV (local copy);
"'Two-A-Days' comes to the Capstone," CW
9/11 Exam #1
Exam Preparation (click here)
 
9/16 Mise-en-Scene Screenpedia
Northern Exposure (1990-95) Click for illustrations
Butler, ch. 5click for more illustrations
9/18 Cinematography/Videography Screenpedia
He Said, She Said (1991) Focal length illustrationsDVD illustrations
Exercise
Butler, ch. 6click for more illustrations
9/23 Editing: Single Camera Mode Screenpedia
Northern Exposure (1990-95)Northern Exposure clip TV.com logo,
Chevrolet ad Classical editing illustrationsTVCrit Video ClipsChevrolet commercial storyboardDVD illustrations
Butler, ch. 7click for more illustrations
9/25 Editing: Multiple Camera Mode
Seinfeld (1990-98)Classical editing illustrations , All My Children (1970-)All My Children
Butler, ch. 7click for more illustrations
9/30 A History of TV Style Screenpedia
Clorox commercialClorox commercials Clorox commercials
(Holiday: Rosh Hashanah)

Butler, ch. 9click for more illustrations

10/2 Sound Screenpedia
Exercise: Dodge commercial
After class: optional frame-grab workshop (bring a video)
Butler, ch. 8click for more illustrations
10/7 Exam #2 (does not cover History chapter)
Exam Preparation (click here)
 
10/9 Mid-Semester Study Break  
10/14 Special Topics I: Music Television Screenpedia
The Buggles, The Replacements, Lamp of Memory

Butler, ch. 10click for more illustrations

10/16 Special Topics II: The Commercial Screenpedia
Appleby's, Verizon, Tums, Aussie, Oreo, Botox, TysonClick for illustrations Click for illustrations
Butler, ch. 12click for more illustrations
10/21 Special Topics III: Animation Click for illustrations Screenpedia
Steamboat Willie (1928) , Gerald McBoing-Boing (1951) ,
Crusader Rabbit (1949-51,'57-69),
The Flintstones (1960-66), The Simpsons (1989-)
Butler, ch. 11click for more illustrations
10/23 Television Studies: An Overview Screenpedia Butler, pp. 417-429;click for more illustrations
Allen, Introduction
10/28 Exam #3 (includes History chapter)
Printable illustrations (PDF)
Gillette Fusion commercial
R.E.M. "Stand" (frame grabs)
 
10/30, 4 Semiotics Screenpedia Screenpedia
The Wonder Years (1991) Click for illustrations
Buffy the Vampire Slayer (1997) Click for illustrations
Fangface (1980) Click for illustrations
Butler, pp. 436-446;click for more illustrations
Allen, ch. 1
11/6 Genre Study Screenpedia
The Cosby Show (1984)
Corner Gas (2004)
Butler, pp. 430-436;click for more illustrations
Allen, ch. 4
11/11, 13 Ideological Criticism Screenpedia
Designing Women (1991)
The Beverly Hillbillies (1962)
Butler, pp. 446-454;click for more illustrations
Allen, ch. 5
11/18, 20 Feminist Criticism Screenpedia Screenpedia
The Real World (1992), Madonna: Truth or Dare (1991),
Justify My Love
(1990), Vogue Click for illustrations
On the Madonna controversy (Laurie Schulze)
(username/password: tcfuser)
Mad Men (2007, Paul Feig) TV.com logo
Butler, pp. 454-461;click for more illustrations
Allen, ch. 7
11/25 Cultural Studies, Ethnography Screenpedia
My So-Called Life (1994)
Allen, ch. 8
11/27 Thanksgiving Holiday  
12/2 Cultural Studies, Ethnography, continued  
12/4 Postmodernism & Course Summary Screenpedia
The Simpsons (1999) Click for illustrations
Butler, pp. 461-462;click for more illustrations
Allen, ch. 9
12/12,
Friday
Final Exam Period, Friday, December 12, 8-10:30 a.m.
Exam #4
 
Texts/Resources

Available at Local Bookstores:

Channels of Discourse cover Television Cover
  1. Robert C. Allen, Channels of Discourse, Reassembled, second edition (Chapel Hill: University of North Carolina Press, 1992).
  2. Jeremy G. Butler, Television: Critical Methods and Applications, Third Edition (Mahweh, NJ: Lawrence Erlbaum, 2007). See the companion Website at TVCrit.com.
Attendance Policy:
Each student is permitted four absences. Each absence beyond four will result in one point being deducted from the student's final grade (maximum penalty: five points). Students who do not attend the first two meetings of class may be administratively disenrolled.
Cell-Phone Policy:
Cell phones must be turned off during classtime. Students who leave class to take a phone call will be counted absent for that day.
Disabilities Accommodation Policy:
Students with disabilities are encouraged to register with the Office of Disability Services, 348-4285. Thereafter, you are invited to schedule appointments to see me during my office hours to discuss accommodations and other special needs.
Diversity Statement:
This course encourages different perspectives related to such factors as gender, race, nationality, ethnicity, sexual orientation, religion, and other relevant cultural identities. This course seeks to foster understanding and inclusiveness related to such diverse perspectives and ways of communicating.
Academic Misconduct Policy:

All acts of dishonesty in any work constitute academic misconduct. The Code of Academic Conduct and Academic Misconduct Disciplinary Procedures will be followed in the event of academic misconduct.

GPA Requirements:

The College of Communication & Information Sciences requires that all students enrolled in upper division courses (300/400 level) have a 2.0 GPA overall. Students who do not have the 2.0 GPA may be administratively disenrolled on the first day of class.

Students must earn a "C" or better in all required and elective courses in a C&IS major. A "C" or better is required in all external courses required by the major whether they serve as a prerequisite to a major course or are simply required by the major. This means a "C" of any kind.


Last revised: 21 November 2008 11:12:44
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