|
| Course
Objectives: |
The
objective of this course is to introduce the student to
television critical studies, or what is commonly called,
within academics, "television studies" (a parallel with
film studies).
We will seek, first of all, to understand television as
a unique meaning-producing medium -- dissecting television's
narrative and non-narrative structures and its uses of
mise-en-scene, cinematography / videography, editing, and
sound. Second, we will confront the critical methods that
have been applied to the medium over the past 20 years:
semiotics, genre study, ideological criticism, cultural
studies, and so on.
Our goal is to become more intelligent, alert, critical viewers of television.
TCF 311's learning outcomes:
Students will learn to understand the shaping of television history and the impact of diverse groups on that history; to understand professional ethical principles and work ethically in pursuit of truth, accuracy, fairness and diversity; to write correctly and clearly (evaluating their work and that of others for accuracy and fairness, appropriate style, and grammatical correctness); to evaluate concepts and apply theories in the use and presentation of images and narratives; and to think critically, creatively, and independently. |
| Instructor: |
Jeremy Butler
Office: 486B Phifer
Office hours: TT 3:15-4:45, & by appt. 348-6350 |
|
|
| Assessment: |
Your progress will be assessed through:
- Four
open-book, open-note exams, which will mostly consist
of analytical essays of TV programs and be based on
the principles in Television. The fourth exam
will be held during the Final Exam period and will
focus on Channels of Discourse. Worth 25 points
each.
- Extra Credit Option: An extra credit option, worth 3 points and due 5 December, is explained here.
Please note: This is a seminar class which
depends heavily upon students having done the readings
and being prepared to discuss them in class. If the
majority of the class fails to do a reading assignment
then an in-class essay may be assigned and factored
into the grading as part of the exam scores.
|
| Screenings
& Credits: |
Numerous
TV programs will be shown on DVD in class.
There will be no other screenings of the programs, but
local video stores do carry a few of the titles, and
two or three of them are available in the audio-visual
section of the Gorgas Library.
Credits
are available from the Internet
Movie Database. Follow the links below to find credits. |
| Grading |
Grades
will be posted online.
Grading
scale:
A+ 97-100 C+ 77-79 F 59 and below
A 93-96 C 73-76
A- 90-92 C- 70-72
B+ 87-89 D+ 67-69
B 83-86 D 63-66
B- 80-82 D- 60-62
|
| Course
Calendar (subject to changes announced in class): |
Date |
Topic/Screening |
Readings |
| 8/21 |
Introduction
to the Course
The
Andy Griffith Show (1966)
 |
|
| 8/26, 28 |
TV
Structure, Narrative Structure 
The Cosby Show (1984) 
Friends (1999)
 |
Butler,
chs. 1, 2; |
| 9/2 |
Characters,
Actors, Stars  |
Butler,
ch. 3;  |
| 9/4, 9 |
Beyond
and Beside Narrative 
Cops (1989-),
CBS/NBC news
, The Daily Show (1996-)
Lobster Wars (2007),
Two-a-Days: Hoover High (2006)  |
Butler,
ch. 4; 
recommended: Salon on Reality TV (local copy);
"'Two-A-Days' comes to the Capstone," CW |
| 9/11 |
Exam
#1
Exam Preparation (click here) |
|
| 9/16 |
Mise-en-Scene 
Northern
Exposure (1990-95)
|
Butler,
ch. 5 |
| 9/18 |
Cinematography/Videography 
He
Said, She Said (1991)

Exercise |
Butler,
ch. 6 |
| 9/23 |
Editing:
Single Camera Mode 
Northern
Exposure (1990-95) ,
Chevrolet ad   
|
Butler,
ch. 7 |
| 9/25 |
Editing:
Multiple Camera Mode
Seinfeld (1990-98) ,
All
My Children (1970-)
|
Butler,
ch. 7 |
| 9/30 |
A History of TV Style 
Clorox commercial 
(Holiday: Rosh Hashanah) |
Butler,
ch. 9 |
| 10/2 |
Sound 
Exercise: Dodge commercial
After class: optional frame-grab workshop (bring a video) |
Butler,
ch. 8 |
| 10/7 |
Exam
#2 (does not cover History chapter)
Exam Preparation (click here) |
|
| 10/9 |
Mid-Semester Study Break |
|
| 10/14 |
Special
Topics I: Music Television 
The Buggles, The Replacements, Lamp of Memory |
Butler,
ch. 10 |
| 10/16 |
Special
Topics II: The Commercial 
Appleby's, Verizon, Tums, Aussie, Oreo, Botox, Tyson  |
Butler,
ch. 12 |
| 10/21 |
Special Topics III: Animation 
Steamboat Willie (1928)
, Gerald McBoing-Boing (1951)
,
Crusader Rabbit (1949-51,'57-69),
The Flintstones (1960-66), The Simpsons (1989-)
|
Butler, ch. 11 |
| 10/23 |
Television Studies: An Overview  |
Butler,
pp. 417-429;
Allen, Introduction |
| 10/28 |
Exam
#3 (includes History chapter)
Printable illustrations (PDF)
Gillette Fusion commercial
R.E.M. "Stand" (frame grabs) |
|
| 10/30, 4 |
Semiotics 
The
Wonder Years (1991)
Buffy the Vampire Slayer (1997)
Fangface (1980)
|
Butler,
pp. 436-446;
Allen,
ch. 1 |
| 11/6 |
Genre
Study 
The Cosby Show (1984)
Corner Gas (2004) |
Butler,
pp. 430-436; Allen,
ch. 4 |
| 11/11, 13 |
Ideological
Criticism 
Designing
Women (1991)
The
Beverly Hillbillies (1962)  |
Butler,
pp. 446-454; Allen,
ch. 5 |
| 11/18, 20 |
Feminist
Criticism 
The
Real World (1992), Madonna:
Truth or Dare (1991),
Justify My Love (1990), Vogue

On the Madonna controversy
(Laurie Schulze)
(username/password: tcfuser)
Mad Men (2007, Paul Feig)  |
Butler,
pp. 454-461; Allen,
ch. 7 |
| 11/25 |
Cultural
Studies, Ethnography 
My
So-Called Life (1994)
|
Allen,
ch. 8 |
| 11/27 |
Thanksgiving Holiday |
|
| 12/2 |
Cultural
Studies, Ethnography, continued |
|
| 12/4 |
Postmodernism & Course Summary 
The Simpsons (1999)
 |
Butler,
pp. 461-462;
Allen, ch. 9 |
12/12,
Friday |
Final
Exam Period, Friday, December 12, 8-10:30 a.m.
Exam #4 |
|
|
| Texts/Resources |
Available
at Local Bookstores:
- Robert C. Allen, Channels of Discourse, Reassembled,
second edition (Chapel Hill: University of North Carolina
Press, 1992).
- Jeremy
G. Butler, Television: Critical Methods and Applications,
Third Edition (Mahweh, NJ: Lawrence Erlbaum, 2007).
See the companion Website at TVCrit.com.
|
| Attendance
Policy: |
| Each
student is permitted four absences. Each absence beyond
four will result in one point being deducted from the
student's final grade (maximum penalty: five points).
Students who do not attend the first two meetings of class
may be administratively disenrolled. |
| Cell-Phone
Policy: |
Cell
phones must be turned off during classtime. Students who
leave class to take a phone call will be counted absent
for that day. |
| Disabilities
Accommodation Policy: |
| Students
with disabilities are encouraged to register with the
Office of Disability Services, 348-4285. Thereafter, you
are invited to schedule appointments to see me during
my office hours to discuss accommodations and other special
needs. |
| Diversity Statement: |
| This course encourages different perspectives related to such factors as gender, race, nationality, ethnicity, sexual orientation, religion, and other relevant cultural identities. This course seeks to foster understanding and inclusiveness related to such
diverse perspectives and ways of communicating. |
| Academic
Misconduct Policy: |
All
acts of dishonesty in any work constitute academic misconduct.
The Code of Academic Conduct and Academic Misconduct
Disciplinary Procedures will be followed in the event
of academic misconduct. |
| GPA
Requirements: |
The
College of Communication & Information Sciences
requires that all students enrolled in upper division
courses (300/400 level) have a 2.0 GPA overall. Students
who do not have the 2.0 GPA may be administratively
disenrolled on the first day of class.
Students
must earn a "C" or better in all required
and elective courses in a C&IS major. A "C"
or better is required in all external courses required
by the major whether they serve as a prerequisite to
a major course or are simply required by the major.
This means a "C" of any kind. |

|
|
|
|