Chapter 08 Style and Sound
Topics include: types of television sound, purposes of sound on television, acoustic properties and sound technology, space, time, and narrative.
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Sound Exercise (Dodge Commercial)
A Dodge commercial from the 1950s -- in QuickTime format. You may download this file and experiment with its soundtrack, if you own QuickTime Pro.
- To view the QuickTime version you must first log into the TVCrit...
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Sound Exercise (Mrs. Kelly's Chickens)
"Mrs. Kelly's Chickens," performed by Henri's Notions -- in QuickTime format. You may download this file and experiment with its soundtrack, if you own QuickTime Pro.
- To view the QuickTime version you must first log into the...
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Sound Exercise (Solidarity Forever)
"Solidarity Forever," performed by Bare Knuckles -- in QuickTime format. You may download this file and experiment with its soundtrack, if you own QuickTime Pro.
- To view the QuickTime version you must first log into the TVCrit...
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Sound Exercise (Tchaikovsky No. 4)
Tchaikovsky Symphony No. 4, performed by the Huxford Symphony Orchestra -- in QuickTime format. You may download this file and experiment with its soundtrack, if you own QuickTime Pro.
- To view the QuickTime version you must first...
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Sound Exercise (Walking)
"Walking," performed by Jake Berry -- in QuickTime format. You may download this file and experiment with its soundtrack, if you own QuickTime Pro.
- To view the QuickTime version you must first log into the TVCrit...
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Figure 8.1
A digital audio workstation (Adobe Audition) separates sound into three separate tracks for speech, music and sound effects.
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Figure 8.2
An enlarged waveform shows the changing volume of human speech.
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Figure 8.3
An ad card promotes music used in an episode of One Tree Hill.
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Figure 8.4
Workers in a Dodge commercial from the 1950s are urged by a narrator to "Turn her out, Henry!..."
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Figure 8.5
"...Turn her out, Joe! We'll put her together and watch her go!"
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Figure 8.6
Wonder Years: In the background, Kevin and his friends talk about the girl in the foreground. The viewer hears their voices, but she does not.
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Figure 8.7
A waveform is broken into individual samples (shown as dots here) in the digitizing process.
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Figure 8.8
A microphone's pick-up pattern indicates where it is most sensitive to sound.
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